Andy Lanset
Poetry On the Air: WNYC and the Sound of Verse ...
Andy Lanset
Poetry On the Air: WNYC and the Sound of Verse ...

During the seven decades of municipal ownership, both celebrated and obscure poets found their way to WNYC’s microphone. Some programs introduced listeners to canonical voices such as Robert Frost, Marianne Moore, and W.H. Auden. Others opened the airwaves to aspiring writers who might otherwise never have been heard beyond their own neighborhoods. Still others explored the relationship between poetry and radio itself, asking whether the medium might reshape how verse was written, performed, and experienced.

The result was an extraordinary range of programming: educational broadcasts from the station’s early Air College lectures; dedicated poetry series and readings; experimental verse drama; tributes to major poets; and discussions linking poetry to theater, politics, therapy, and everyday life. Together these broadcasts reveal how a municipal station—often overlooked in the larger history of American radio—played a meaningful role in sustaining the oral tradition of poetry.

Katie Ehrlich
Dr. Leona Baumgartner’s Health Commissioner ...

Dr. Leona Baumgartner was the first woman to serve as Commissioner of the Department of Health for New York City. She held that office from 1954 to 1962 under Mayor Robert F. Wagner, who was the first mayor to appoint women agency heads in nearly 40 years. Baumgartner worked her way up at the Department of Health, starting as a child hygiene instructor in 1937. By 1949 she was assistant commissioner, the position she served in, until being elevated to commissioner.

Michael Lorenzini
At the River’s Edge, Maiden Lane and the ...

Recently, the story of the “Leaning Tower of New York,” came to our attention. Also known as “1 Seaport,” the building is located at 161 Maiden Lane on the corner of South Street. In 2018, a contractor on the new 60-story residential tower noted that the structure had begun to lean. In 2020, construction on the site halted when it became apparent the building’s foundation was unstable.

Taking a dive into the rich collections of the Municipal Archives and Municipal Library revealed a long history of failed development at this location. This week, For the Record peels back the layers of history that have made this such a problematic site.

Cynthia Brenwall
Edith McAllister Alexander

This week, For the Record celebrates Women’s History Month with the story of Edith Alexander. An extraordinary woman, Alexander’s work to end discrimination led to creation of the City’s Commission on Human Rights (CCHR). For the Record articles “New Project: Processing and Digitizing Records of the New York City Commission on Human Rights,” “Human Rights Day: How Human Rights Discourse has Impacted the New York City Government since the 1940s,” “Breaking the Color Line: Mayor LaGuardia and the Fight to Desegregate Baseball,” and “NYC Commission on Human Rights, project update,” describe the Municipal Archives’ project to process and digitize records of the CCHR.

Queensboro Bridge

Eugene de Salignac’s Workers

For Labor Day, we thought For the Record would look back on Eugene de Salignac’s photographs of workers. His most famous photograph is, of course, of workers on the Brooklyn Bridge, but many of his photographs emphasize labor. Some of de Salignac’s most intriguing photographs are his portraits, limited in number, but often stunning. Most are of City workers engaged in (or just pausing from) their daily tasks, be that welding, chiseling stone, giving radio broadcasts or filing paperwork. There is often an ease to his subjects that suggests de Salignac’s rapport with them. He frequently caught them in unguarded moments, often in the distinctive settings of their work sites and with the tools that epitomize their labor. Some, like the portrait of the worker in the subway cut, transcend time to become iconic American types. This was the great age of industrialized labor and de Salignac would have known that the City’s transformation would not be possible without the sweat of the City’s vast and varied workforce.

De Salignac himself was also a City worker, who from 1906 to 1934 was the sole photographer for the Department of Bridges/Plant & Structures. Some of the images reproduced here are from his rarely seen photo albums, which were organized around specific projects or themes.