During the seven decades of municipal ownership, both celebrated and obscure poets found their way to WNYC’s microphone. Some programs introduced listeners to canonical voices such as Robert Frost, Marianne Moore, and W.H. Auden. Others opened the airwaves to aspiring writers who might otherwise never have been heard beyond their own neighborhoods. Still others explored the relationship between poetry and radio itself, asking whether the medium might reshape how verse was written, performed, and experienced.
The result was an extraordinary range of programming: educational broadcasts from the station’s early Air College lectures; dedicated poetry series and readings; experimental verse drama; tributes to major poets; and discussions linking poetry to theater, politics, therapy, and everyday life. Together these broadcasts reveal how a municipal station—often overlooked in the larger history of American radio—played a meaningful role in sustaining the oral tradition of poetry.